Monthly Archives: May 2012

Could There Really be Rules in Love?

I enjoy browsing through bookstores for engaging books. The more obscure the title the better. Recently, I found a book, The Rules by Ellen Fein and Sherrie Schneider, which I just had to purchase.

“Time-tested Secrets for Capturing the Heart of Mr. Right” screamed buy me. Having a romantic side and being a romance writer I was curious to see what information could be found inside the dusty treasure. And with the guarantee of time-tested secrets-what did I have to lose for .25 cents. (I’ve found my Mr. Right, but I’m always on the hunt for more knowledge about love).

I read the book and found some pearls. Actions for real life, and then I thought why can’t I use this information to help me with my own heroine’s ‘problems’ during writing?

I picked Rules 1-5 this week to demonstrate.

Rule #1.  Be a “Creature Unlike Any Other”.

Looks really don’t matter, when you intrigue your audience with a heroine’s confidence and intelligence. She has to be unique, confident, alluring, kind and optimistic. Wait-she’s perfect you’re thinking, well…not exactly be-but she has to act like she is. Inside she can have the consistency of hot chocolate, but as long as she conquers her fears and acts as if things are smooth, we’ll root for her happy ending.

Rule #2. Don’t Talk to a Man First.

This rule is tough because books are all about conflict and conversation. The hero has to go to the heroine first can be tricky, but I get the whole ‘he likes to be the hunter-not be the hunted’ line so making him approach her is a good sign he’s interested. No matter how independent women are today, men should take the lead (in this aspect). ;)

Rule #3. Don’t Stare at Men or Talk Too Much.

Chemistry is found in the first eye contact, but too much gawking and the hero knows the heroine is really into him. The intrigue of guessing her level of interest will help build sexual tension in the story. Alas, the heroine must speak over 50% of the story, but make what she says matter!

Rule #4. Don’t Meet Him Halfway or go Dutch on a Date.

This rule is all about giving him a challenge. And makes for great conflict in the story! Making the hero work hard for her attention is good for him. He likes the chase because remember he is the hunter.

Rule #5. Don’t Call Him and Rarely Return his Calls.

Now this rule in writing is difficult. She has to be in touch with the hero most of the time and rarely are they separated once the main incident is shown to the reader. I take this rule for keeping him interest by not giving him too much too soon in the novel.

Next week I’ll dive into comparing Rules 6-10. In the meantime, I’d like to hear if you think these rules really would help in your writing…or in your personal life.

And if you’ve stumbled across any great books, please share because I’d love to read them! Until then, have a great week!

Guest Blogger today!

Hope you all had a wonderful and relaxing Memorial Day!  This morning I’d like you to help me welcome Sandra Garcia.  Sandra has provided links and an excerpt for her newest release, An Elf for all Centuries..

Fish Out of Water Writing

I remember standing in an elevator with a fellow author at the Authors After Dark convention, a romance conference held for readers and authors. We did the name tag peek and realized we didn’t recognize each other’s names. We smiled in polite hello.

“Hi, I’m S.A. Garcia, how are you? I am sorry, I don’t recognize your name; what do you write?”

Writer X responded that she wrote romantic paranormals involving shape shifters for AAAA Press. Then she asked, “What do you write?”

“I write m/m romance for Dreamspinner and Silver.”

Her face adopted this odd, “oh that stuff,” expression, really, her lips pursed and the skin at her temples tightened until she cocked her head at me. “I never understand how you can write the sex scenes in those stories.”

I smiled back. “Plenty of research and imagination.” I wanted to exclaim, “And guess what, I am a lesbian so I don’t even deal with male anatomy!” But since we had just met and she already looked ready to bolt, I restrained from the complete info dump.

I had supplied her with a truthful answer. Because unless I write f/f romance, I will need to research and use plenty of imagination. Some people don’t comprehend why a woman, especially a lesbian, wants to write about two men having the time of their life in bed, or in the kitchen, or the forest, or wherever the fancy to strip down and make love strikes them. Then again, those same people are probably the people who have a problem with the whole idea of LGBT people in general.

At this point in life, I try not to worry about those people. Of course, they outnumber the caring, supportive people who embrace a live and let live sensibility. I have dealt with the cruel, uncaring people in person by using something I also have; my intellect. A few choice words shuts down certain naysayers in a speedy manner.

Yes, here I am avoiding my own question. Why do I write m/m romance? The thing is this is not something I “discovered” and decided to start writing. I started writing m/m romance back when I was in high school, yes, before I really understood how tab A inserted into slot B, well, except through what I had read in books. Back in 1978, a suburban teenager didn’t have a great deal of access to certain information. I snuck around the problem. I also wrote m/f romance. I just loved writing stories filled with romance, partings, angst, and ultimately true love, well, at least for the stories that I ended. Many of those early, badly written stories languish unfinished in notebooks. I feel bad for those characters. They are in limbo. I am so nasty.

I think above all when I started out and came out, I just wanted everyone to enjoy romance. Wait, let me place myself on the psychoanalytical couch for a second. Perhaps by writing my way through m/m romances, I somehow started to come to grips with myself. Did I find it hard to express my emotions through f/f stories? I believe that might be the truth.

Here it is, a good thirty odd years later, and I’m publishing m/m romance. I am happy to say my current stories feature rounded characters, mature storytelling, better grammar, semi-coherent punctuation, and far less deus ex machina malarkey.

Am I being truthful in my emotions? I can’t be anything but truthful. I select, by and large, not to write big sweeping statements about gay men being different. I want the characters in my written works to suffer their share of conflicts, but I don’t want them to suffer only because they love the same gender. Perhaps that is where I slip into a little denial of my own.

Perhaps I need that to remain happy at this time in my life. Maybe the process will someday allow me to write that f/f sword and sorcery fantasy screaming for release. Yes, I believe that to be the truth. Someday I want to write romance across the genders.

Someday, because everyone, no matter what, deserves a happy ending.

Now I would like to tease you with a bit of my new novel “An Elf for All Centuries” which released on Saturday, May 26.

BLURB:

Elven super model Prince Fabion’s day is perfect until wizard Matradorian kidnaps him from his penthouse. Surprise, Fabion is a spiritual match for elf king Henda’s dead lover. Only he can save the dying Henda. The problem is Fabion lives in the thirty-ninth century. Henda lives in the nineteenth.

When he lands in the nineteenth century, Fabion controls himself from punching Matradorian, saves Henda and falls in instant lust with his romantic fantasy. After all, this is a romantic comedy.

When Fabion realizes his polluted, on the verge of ruin thirty-ninth century is gone, the super model pitches the temper tantrum of any century until he realizes sexy Henda accepts him as his true lover. Being the virile, handsome Henda’s lover fills Fabion’s emotional gap. Despite the lack of facials and hot water, the former super model adapts to living in the backwards century.

Soon Fabion learns the nineteenth century is more dangerous than his vanished thirty-ninth century. Who wants to kill him now? And why?

EXCERPT:

The limo halted next to a faded grass expanse. A century ago, the grass lawn may have looked green, but these days not enough sunlight helped its feeble struggle. Now the grass had given up trying for the green. Even the spiky weeds littering the plot drooped in despair. Across the ragged approach, a tattered tree line listlessly soared into the yellowish mist obscuring the sun’s rays. A shabby sign topping the copper gate announced, “Welcome to Park Haven.”

The driver glanced back at the three passengers. “Are you sure you want to stop here, Prince Fabion? This lonely spot always worries me. I hate leaving you here.”

Fabion waved his right hand in agreement. “Yep, Matt, we need the exercise.”

Hestran whined in annoyance before Fabion could even count to one. The quick reaction set a new fine whine record. “Ooooo come on, Fabion, sweeeetie. Damn, you want to walk through horrid, old Park Haven to reach the Sequoia? Are you insane? That’s toooo faaaaar.”

His sulky boyfriend’s high-pitched complaint made Fabion want to jam his fingers in his ears. Naw, the act seemed too rude even for Fabion’s selfish sensibilities. Instead he managed to smile at his bratty Hestran. “Come on, look at the weather! This afternoon the air quality is almost pretty. I can nearly see blue, well, all right, no, but I can imagine the color ruling the sky like in times past. Today I want to enjoy a walk through the park.”

Fabion hadn’t strolled through Park Haven in over a month. How sad. He needed to commune with the remaining nature on a more regular basis.

Lanaro leaned around the pouting Hestran and scowled in displeasure. “Fuck, you always need to act different, dude. Everyone knows that no well-bred elf walks into Park Haven from the east gate. This is the common, human gate.”

Fabion saw Matt’s professional face slip for a second. Why did Lanaro always act like such a prick? It was one thing to dislike humans, but insulting them to their face defined rudeness.

Lanaro deserved a tongue lashing and not a fun one. Hestran’s tiresome pouting had forced Fabion to agree to provide Lanaro a free ride from New Yorkshire’s snooty Shadyside district. Just his bad luck that Lanaro’s agent occupied the same building as Fabion’s. Fabion’s agent owned two floors, Lanaro’s agent owned a closet-size space. How dare the pedestrian elf think that he occupied Fabion’s regal league? Duh, Fabion was a well-bred prince, so there.

As he sniffed in disdain, Fabion tossed his red mane in practiced dismissal. “Hey, I don’t need to act different. I am different, because I am exceptionally special. I enter where I want, got it?” He pretended to ring a bell at the slackers. “Ding, ding, ding, this is the end of the line. Move your pretty asses from the limo. My man Matt is going home for the day.”

Fabion leaned forward. He flashed a massive bonus into his driver’s hand. Behind him Lanaro’s gasp added the perfect spice. Matt deserved the bonus for enduring those insults.

“Go have fun, dude.”

“Thanks, Prince Fabion!” Matt saluted Fabion. “As usual I’ll wait until you enter the park before I pull away.”

“As usual I commend your wise idea. Catch ya later.” Fabion exited into the ocher afternoon. Today even the air celebrated for him. At that moment, he doubted if anyone else in New Yorkshire acted giddier. His life embraced triumphant coolness, well, except for Lanaro’s presence.

Fabion leaned down to see what was happening inside the limo. Hestran and Lanaro remained sprawled on the seats like sullen children overdosed on pixie dust. Fabion almost slammed the door and told Matt to drive on and drop the ornery duo somewhere nasty like Dog End Quay.

“Will you two move your pretty asses? Exit on this side. We need to hustle into the park.”

Hestran’s wide eyes conveyed panic. “What do you mean?”

“I mean, sweetie, we run for protection, because some ass-wipe might take a shot at us. Get out but remain low.”

Fabion crouched and watched the other elves huddle beside him. He adored this dare. “On my count. One. Two. Three. Run!”

The trio darted across the grass toward the gate. Before they reached the protection offered by the remaining trees, a shot disturbed leaves from an overhead oak branch. Hestran shrieked in alarm.

No surprise, the elf-hating lunatic who roamed the hill opposite the entrance had shot at them. Inside the park, the limp, half-moldy leaves and runes deterred any further shooting.

Safe again! Fabion turned and shouted in snotty glee. “Up yours, you sorry asshole! You missed me again. Ever think about taking lessons?”

Fabion turned back to his companions and snickered. “See, dudes, that’s why I told you to run. The nut-bunny hasn’t hit me yet, but someday the goofball might get lucky. Yo, don’t worry, his silly bullets are useless in here.”

Thanks for reading and thanks for Ane for inviting me here today.

Short Bio: I can never decide between red or white wine. The same applies to my art: creating visual art and word art occupied my professional life until in 2009 word art triumphed. Six published novellas and novels later, my life is a fun quandary of too many stories hindered by slow typing skills. I accept the challenge.

An Elf for All Centuries

S.A. Garcia’s World of Words

Facebook: Sandra Ann Garcia

Twitter: @SAGarcia_Writer

Blog: http://oscarsbruisedpetals.blogspot.com/

Starting small and slow. .

“All difficult things have their origin in that which is easy, and great things in that which is small.”

- Lao Tzu

I know I’ve asked the question before if you perceive things which are simple to be easy.  Or do you believe, like me, that when things are simple they are not always easy.

Confused yet?  I know I find myself working every day to keep the story simple, and it’s not always easy.  But I think if you keep your goals and plans to a minimum, you can work through any crisis.

How do you do that?  Start small–in other words, keep it simple.

When you want to tell me a story, define what kind of story it’s going to be at the end.  Will there be a Happily Ever After?  If it’s got a HEA, it’s most likely a love story.  I love romance, no pun intended.

Is it too much to ask to keep it simple and tell me a story, a romance, about a terrific character which means a woman I can identify with, who meets a wonderful guy and they live happily ever after?

I don’t think so.

But apparently many people do.

They want to tell me a story about aliens on a distant planet who live in a fantasy land and use magic like spare change and have werewolves for neighbors and vampires for best friends. . .  You get my drift.

In the story I crave, it’s about the characters, who they are as people, even when they are werewolves.

In the story I crave it’s about the romance, how they fall in love, no matter where or when it happens.

In the story I crave when two people fall in love, regardless of the circumstances, it’s always magic.

So keep it simple, keep it small and tell me a terrific story, and don’t forget the Romance!

PSYCHOANALYZING YOUR CHARACTERS

            Yesterday evening the Dakota County Library featured my book, Murder by Mistake, at their May event of the Minnesota Book Discussion. While there weren’t a lot of people present, and none other than me were authors, it turned out to be a most interesting and enlightening time.

            One of the first questions posed to me was, “Why is Mollie such a wimp at times?” Now, to be honest, I never really thought about that when writing the book. However, as I listened to the discussion about that question, I realized I had made her that way for a reason. Mollie is the widow of a very controlling man and wants desperately to be independent and strong. She is, like many of us when working at something, guilty of sliding back for one reason or another. So, that’s what I told them.

            Then, after many other questions about my characters, including why her brother-in-law, a would-be suitor, was nasty at first and then turned nice, I began thinking about all the major characters and the reason they acted in certain ways.

            Before I start a book I always do a biography of the major characters, in this case the protagonist, Mollie, the hero, Bartholomew, and the killer. When I prepared to do this book, my bios were relatively short. Since then, I learned of a 52 question bio that covers absolutely everything anyone would need to know about a character, and that is what I use now.

            But how about going a step further? Wouldn’t it make a book that much richer to look at each trait of a character and figure out why they do what they do? In Mollie’s case, it was a matter of not being able to remain strong one-hundred percent of the time. In the case of the brother-in-law, he normally was a nice guy, but saddled with debts he couldn’t pay and was desperate to find what he was sure his dead brother left for him. During yesterday’s discussion, at least one of the attendees wasn’t clear on that, so, perhaps if I’d gone into it more thoroughly, analyzed his character more, his actions would be more understandable.

            On the other hand, one could analyze so much it would take forever to write the book. I wouldn’t want that to happen.

            A couple weeks ago I talked about a female character that was the epitome of the bad guy, a person one could use as a basis for creating the villain or villainess. In that particular case, the reader is well aware of the woman’s faults, if you want to term evil as such. But, we do not get anything to let us know why she became that way. The author may have known exactly what caused her to become such a terrible person, but then again, he might not have. I think some tiny bit about the reason behind her behavior could help that book immensely, adding to what is already beautiful prose. As it was, I couldn’t help get the feeling she was like the little girl in The Bad Seed, born to be bad, and I don’t really like to think that about any human.

            As I work on the bios for my next book that isn’t about Mollie, I plan on doing at least some analysis into the major characters. When doing the 52 questions, one of which includes a major event in a character’s life as a child, it might help considerably to do a good analysis of that. I’m not sure, but I am going to try it.

 

Joan K. Maze

Writing as J. K. Maze

www.joanmaze.com

http://sleuthingwithmollie.wordpress.cm

http://homicideandmayhem.wordpress.com

Murder By Mistake, book 1 in the Mollie Fenwick Mystery Series, available as an ebook from Red Rose Publishing, B&N, Fictionwise and Amazon

Murder By Mistake, book 1 in the Mollie Fenwick Mystery Series, available in paperback from Amazon

Murder For Kicks, book 2 in the Mollie Fenwick Mystery Series, available as an ebook from Red Rose Publishing, Fictionwise and Amazon

Framed In Fear, romantic suspense, available from Red Rose Publishing, Fictionwise and Amazon

Flight of the Hawk, shapeshifter paranormal novella written under the name Jaye Leyel

Murder By Spook, book 3 in the Mollie Fenwick Mystery Series, in progress

Sports and Writing

I’m not sure how your house is, but mine’s all about sports.

Summer means running around with sports bags, Gatorade bottles and smelly socks scrunched into balls being missile’d at one another’s heads. And that’s just the car ride to practice!

The three Mahan children and super Dad are highly involved in sports. By sports, I mean BASEBALL.

I’m not even a fan, but with the invasion here on the home front and the b-word on the tips of everyone’s tongues, how can I avoid not being caught up in the sport. Even baby girl twin has been recruited. And she’s super jazzed to show them boys up!

She makes me so proud. ;)

So, my question is, because all I hear about these days is baseball, can I use this to my advantage? To write what I ‘now’ know?

Yet, how many romance authors write about sports? I can think of only one right off-hand, Susan Elizabeth Phillips, and she’s wonderful. Fabulous, in fact. But what’s the market for books about athletes and why are there not more available?

Is it because the biggest audience is women, and they don’t want to read about sports (since they likely escaped watching them by reading)? Or they’re just not interested in sports as a main plot and pass over them in the store.

Or is it because we, the writer, are not comfortable writing about them?

I’m very curious about this since I’ve been thinking about starting a novel about baseball, but not sure if it’s a good sale to the general reader.

I’d love to hear about what you think about sports and writing. And any reading selections, please…