Monthly Archives: March 2012

THE HEROES I LOVE

THE HEROES I LOVE

BARTHOLOMEW & REACHER

            For the next few weeks I’m going to be writing about the heroes I’ve fallen in love with and why I’ve chosen them. For this week, I’ve picked one I created myself and one from an unbelievably popular series.

Jack Reacher is a most unusual creature. He’s 6’5”, strong, capable, and engages in violent behavior quite frequently. He’s not particularly good looking, and at times appears unkempt and scruffy. Yet, the ladies gravitate to him, and that includes me. On the face of it, he doesn’t appear to have the qualities of a hero and, in fact, would easily generate one heck of a lot of fear in anyone encountering him in the proverbial dark alley. He not only looks capable of decimating anyone who crosses him, he quite often does exactly that.

But that’s not all. decimating anyone who crosses him, he quite often does exactly that.

But that’s not all. He is homeless, carries no I.D., does not have a car, and crosses the country by sticking out his thumb. When I first started reading his stories, I kept wishing he’d get a car, rent an apartment or buy a house for a home base—anything to ground him. But he didn’t. As a matter of fact, he even inherited a house from his former commandeer—but he didn’t want it.

What kind of hero is that?

A very different one.

But he has to have something on the positive side of the ledger, doesn’t he? Of course, the answer to that is yes.

First of all, he’s almost obsessive about righting wrongs, even if he breaks a law to do it—and he does that quite often. Secondly, he is very kind and giving to those he believes in, those he helps. Those two characteristics, to me, are what comprise a hero. There are others, of course, but those are what I consider the main ones.

But who could forget one of his love scenes?

The other hero I refer to is one I created for my Mollie Fenwick Mystery Series and he is very different from Jack Reacher. He’s Bradley Bartholomew, a detective with the Hamlet Police Department (fictional), and lives next door to my main character, Mollie Fenwick. He’s tall, somewhere above 6’2, blue eyed, honest, full of integrity, and he believes wholly in following the law.  He’s also kind to those that deserve it, and perhaps even to some who don’t. So, he essentially has the same important characteristics as Reacher—a belief in justice and being kind and helpful.

When I first created this character, I intended the book to be a romantic suspense. However, I actually grew so fond of my characters I decided I needed to keep them with me, and that’s why I rewrote the book and created a series. And during that rewrite, I gave him a gorgeous singing voice and also added another hero, one I’ll talk about next time.

In closing, I would have to say that every time, or almost every time I read a book, I fall in love with the hero. If there is one, and I don’t come to care for him, then chances are I probably won’t read that particular series again. To me, it’s necessary to love the hero and identify with the heroine. If I can’t do that, then perhaps that particular character hasn’t been sufficiently developed.

If I listed all the heroes I’ve fallen in love with, I might not have enough paper for the printing.

Joan K. Maze

www.joanmaze.com

Where Creativity Comes From

Below is a link to…well I guess you could say it’s a promo or a book trailer for Jonah Lehrer’s book Imagine: How creativity works.

http://www.huffingtonpost.com/2012/03/26/jonah-lehrer-imagine-animation_n_1379778.html?ir=Culture

I shared this with my a lot of my writing friends but wanted to share it with Her-Story-Call readers as well.  This video give an excellent viewpoint of how creativity breaths, walks, talks, and comes to life.

It really hit home for me, the word choice and the artist drawing made me see my process and appreciate it.  My creative process starts with a feeling, a snip it of information and then my over active imaginative brain grabs a hold of that tidbit like a boa constrictor wrapping around it’s prey.  Slowly I twist and turn and squeeze as much out of that though as possible, by the end my brain is full of ideas and a direction for the story.

As I’ve expressed before I have a very hard time plotting because I feel like it disrupts my creative mojo.

Where does creativity come from for you?  What does your creative process look like?

Toodles

Michelle
P.S.  Got my rejection letter this week!!!  Woohoo – Going Pro!

 

Spring Cleaning Challenge

April is just around the corner and a favorite month of mine for personal reasons. Yep, I’m a fiery Aries! :)

This year for my birthday I’m doing something new.

I’m giving myself the Spring Cleaning Challenge. What a great present, huh? A gift to myself from myself. And I dare anyone who wishes to participate to jump in armed with an arsenal of cleaning supplies and an open mind to do their own onslaught.

House cleaning not your thing? Well, who said anything about house cleaning!

I’m talking about dusting off that old MANUSCRIPT.

The one that hasn’t seen the light of day since it was tossed into the deep, dark corner of the back drawer. The one you always wanted to return to, but forgot completely, or didn’t know how to polish and shine. Have one? Have two? Oh, I know you do. Unfortunately, I have about six. ;)

Remember, no shame or guilt for this project.

Okay, did you pick one yet? Now, I want you to reread your creation straight through. Do not edit anything. That’s right. Don’t edit. Read the book in total, making notes in a notebook about chapters, scenes, missing data, dialogue anything that you notice. Write down your overall impression. What’s good-what’s not. What’s missing-what kicks ass. Etc…and then get ready to share.

Starting in April I’m going open up to the writing community and post my thoughts and feelings about my work and hope you’ll do the same.

I’m going to rework my p.o.s into something I can submit to an agent or editor and make me a proud momma once again.

Each week I will post a chapter or bits I love, or perhaps hate, and ask for advice and a helping hand for spots I’m really struggling with.  Perhaps we’ll have a drawing at the end of the month for a special somethin’,  somethin’  to anyone who leaves comments. <Suggestions welcomed>

Anyone is free to join me and post their own journey. The more the merrier. At least we can give each other moral support and cry on each other’s shoulders when needed.

So who’s with me on the Spring Cleaning Challenge?

Look out April, cuz we’re cleaning! <too bad it won’t be the house, snicker>

HSC Contest Review – Southern Heat Contest

Southern Heat Contest

http://easttexasrwa.com/html/southern_heat.php

Presented by:

East Texas Chapter of Romance Writers of America

Opens for entries:  February 14th

Fees: $20 for members of RWA-ETC, $25 for members of RWA, $30 non-members

Entry: Opening 15 pages plus 5 page max synopsis

Closed for entries:  March 31st

Contest winners announced July 15, 2012

 

OVERVIEW:

Pros:

Judges are encouraged to give feedback if they give a score of 3 or below

Final round judges are industry professionals

 

Cons:

Only two first round judges

Synopsis is judged

Entries may be limited to the first 30 entries in each category

Doesn’t say how many finalists

No training for the judges

 

Review:

The Good –

Judges are encouraged to comment on the manuscript as well as the score sheet.  They are also encouraged to provide feedback, especially in the areas scored 3 or less.  This is great so the entrants know why a score of 3 or lower was given.

The final round judges are industry professionals.  They are: Paranormal judged by Ethan Ellenberg from Ethan Ellenberg Literary Agency and Ann Leslie Tuttle from Harlequin, Historical judged by Courtney Miller-Callihan from Sanford J. Greenburger Associates and Laura Bradford from Bradford Literary Agency, Contemporary Single Title judged by Rebecca Strause from McIntosh & Otis, Inc. and Rhonda Penders from the Wild Rose Press, Inspirational judged by Mary Sue Seymour from the Seymour Agency and Melissa Endlich from Harlequin Inspirational, Contemporary Series judged by Nicole Resciniti from the Seymour Agency and Alicia Condon from Kensington Books, Romantic Suspense judged by Aubrey Poole from Sourcebooks and Maria Carvainis from Maria Carvainis Agency, Inc., and Young Adult judged by Elaine Spencer from the Knight Agency and Leticia Gomez from Sawy Literary Services.

The Bad –

There are only two judges, unless there’s a point spread of more then 25 points when one of those scores is at least 85 percent of the total points possible.  Then, a discrepancy judge will be used.  Two judges leave too much room for discrepancies.  Why not just have three judges from the beginning?

Synopsis is judged.  This does not let the work stand on its own merits.

Entries may be limited to the first 30 entries in each category.  This restricts the competition when a limit is imposed.

No indication on the website how many finalists there would be per category.  Under past finalists there was always 3 listed per category.  Uncertainty in this area is cause for hesitation.

There is no training for the judges in the Southern Heat Contest.  It is extremely important that there is training for the judges.  A class or instructions is vital to a great contest.

 

 

As far as the Southern Heat Contest is concerned, don’t expect too much.  With a $20 to $30 entry fee, you get encouraged feedback from the judges on scores of 3 or less on the score sheet.  However, with no training for the judges and no mention of how many finalists per category, the entrant really has no idea what they’re in for. 

 

Change

“Act as if what you do makes a difference. It does.”

- William James

We all have difficulty with change.  Perhaps its human nature, the desire to leave unchanged the fruit of our work into which we put so much of ourselves.

The hope that our written words will stand the test of time, bringing the story we hope to tell directly to our readers unedited, pristine and pure as it formed on our mind’s eye when we conceptualized the tale we choose to tell.

Perhaps this is why so many writers don’t want to edit their own work.

Me, not so much.  I benefit a lot from the editing portion of the program, and yet, I too despise change.  I don’t, however, see editing as change.  I see it as improvement.

If you do home improvement, try this analogy:  it’s the finishing coat of varnish on a perfectly handcrafted piece of custom furniture.  It’s not anything that really changes your work, it simply makes it better.  Like the exotic mustard on a special sandwich, or the whipped cream on the home-made pie.

Is it always needed?  Not always, but it should always be considered.  Not for the changes that lie in the editing itself but for the improvement to the story that makes it better than the original draft.

This is why learning self editing is so important.  When we don’t believe we can trust others to change our work we need to understand how to take the task upon ourselves.  More difficult?  Yes, but infinitely better than the perceived butchery of other less skilled hands.

I firmly believe I cannot be objective when in editing mode, and therefore I elect others to do this for me.  On the first pass, a trusted critique partner to point out flagrant flaws.  On the seconds pass, I use a checklist of simple things we often don’t see in our own work on the original draft.  Then I let it sit while I work on something else, fermenting if you will, like fine wine.  (Oh,  the delusions of grandeur!)

For the last pass, if you’re not absolutely, positively capable of lethal criticism, I recommend paid editing.  Nothing like hearing the unvarnished truth from an industry professional.  Make sure it’s some one you trust and respect.  You’ll need to value the opinion you’re paying for, and then maybe you’ll learn to edit for yourself in a clear and objective fashion.